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The ninth page gives the information on gradation of bodies in hierarchy of gods of the Greek mythology and numbers of Pythagorean numerology, and also compares bodies of gods to somatic types Yin and Yang. |
Antique Greek sculptures were kept not so many, but according to known
archeological artifacts it is possible to present images of gods and types of
their bodies. Or possible to present images of gods according to art works of
other epoch as artists and sculptors at all times aspired to represent divine
proportions of a human body and addressed to mythological images of the Ancient
Greece. But it is necessary to consider that diverse works of art not always
correspond to the valid images of gods as are connected with art plans and
representations of those or other artists, but however among many works of art
it is possible to see images which correspond to the validity.
Original Greek and Roman sculptures too not always correspond to the validity as
frequently sculptors represented identical type of a body according to a uniform
proportional canon, and did not consider distinctions which are caused by
different characteristics of gods, namely sculptors did not consider ratio of
different psychological properties with different forms of bodies. Therefore
there are doubtful Greek and Roman sculptures incommensurable to characteristics
of gods, but however there are sculptures in which the valid mythological images
of gods are embodied.
In days of the Athenian democracy and during Pythagorean days the essence of
sculptural images consist in creation of images of gods and heroes whose bodies
expressed divine beauty and harmony that assumed conformity of sculptural forms
to different psychological characteristics which are connected with bodies of
people and gods. But Greece became empire of Alexander the Great and then Roman
empire during history, and as a result sculptural images changed and found
ideological sense. Instead of attributes of divine beauty in sculptural forms
there were unified images which corresponded to public consciousness that
identified people with representations about beauty which seem comprehensible
from the point of view of imperial ideology. As a result there were doubtful
images deformed by incorrect understanding of divine principles according to
which forms of bodies are display of characters and psychological features.
Therefore it is necessary to perceive antique sculptures and other works of art
critically, but it is possible to consider sculptural forms in which types of
bodies correspond to psychological characteristics of gods in myths.
Each god was personification of a real image for ancient Greeks and consequently
each god had own body and characteristics which corresponded to a body. Or it is
possible to tell that individual characteristics of gods associated with forms
of bodies in consciousness of ancient Greeks.
Hence, it is possible to consider ancient Greek sculptures as samples of bodies
and it is possible to correlate to morphological types, namely it is possible to
correlate characteristics of gods to parameters which are caused by weight and
growth. And also it is possible to correlate numbers of Pythagorean numerology
to morphological types as the Greek gods correspond with numbers.
Pythagorean numerological number six means a person whose psychological
features are caused by high growth and massive body. Such person can be compared
with Zeus in the Greek mythology.
Zeus is the Supreme Olympic deity whose body is the most significant among other
gods.
Zeus is identified with the bull that carries out authority above the world by
means of force.
Pythagorean numerological number one means a person whose psychological
features are caused by high growth and normal weight of a body. Such person can
be compared with Ares in the Greek mythology.
Ares is a god of war. He is strong and violent, but force of Ares is not too
great as sometimes he loses in battles. Namely the normal weight of a body does
not allow to be stronger than those who has massive type of a body.
Aphrodite is attractive for Ares as both possess normal weight of bodies.
Pythagorean numerological number eight means a person whose psychological
features are caused by high growth and light weight of a body. Such person can
be compared to Apollo in the Greek mythology.
Apollo is a god of art and art inspiration. Hes high growth seems impressive and
terrible but the light body seems refined and graceful. In myths there is an
information that women often reject Apollo, and in particular he is rejected by
Daphne who is the nymph and Artemis's satellite, as it is possible to assume
that Apollo's light body seems insufficient for Artemis, or Apollo's high growth
is disproportionate to short growth of Artemis. But however Apollo is the regent
of Olympic Muses who possess light and high bodies.
Pythagorean numerological number seven means a person whose psychological
features are caused by medium growth and massive body. Such person can be
compared with Hephaestus in the Greek mythology.
Hephaestus is a god of fire and craft. He is the skilful master and the
inventor. Body of Hephaestus is the ugliest among Olympic gods. Apparently,
medium growth is disproportionate to massive body and consequently image of
Hephaestus seems ordinary (pejorative). Therefore Zeus throw down Hephaestus on
the ground that is connected with a seeming ordinary image.
Hephaestus has the wife Aphrodite whose beauty is caused by normal weight of a
body.
Aphrodite is the most beautiful goddess and consequently other gods perceive
matrimonial attitudes of Hephaestus and Aphrodite as disproportionate as her
beauty is not in harmony with weight of a body and ordinary image of the
husband. And in particular Ares perceives mutual relations of Hephaestus with
Aphrodite as disproportionate.
Pythagorean numerological number five means a person whose psychological
features are caused by medium growth and normal weight of a body. Such person
can be we compared with Athena in the Greek mythology.
Athena is the goddess of wisdom and powerful validity. Athena possesses the most
proportional body among all gods and consequently her power surpasses power of
Zeus. Namely all gods feel the perfect proportions of Athena and her authority
above other gods consists in it as nobody can be equal to Athena and each god
feels own imperfection in mutual relations with Athena.
Her touch allocates people with unusual beauty.
Athena had the favorite Odyssey whose proportions of a body are comparable to
proportional parameters of Athena as she has touched Odyssey during the moment
of a birth.
Pay attention that images of gods and goddesses can be inherent in men and
women. Namely men can have morphological types identical to goddesses, and women
can have morphological types identical to gods.
Pythagorean numerological number three means a person whose psychological
features are caused by medium growth and light weight of a body. Such person can
be compared to Hermes in the Greek mythology.
Hermes is a messenger of gods. Hermes's body is the most mobile among other gods
and consequently he is the messenger.
Pythagorean numerological number two means a person whose psychological
features are caused by short growth and massive body. Such person can be
compared to Artemis in the Greek mythology.
Artemis is a sister twin of Apollo.
Sometimes in myths the image of Artemis was identified with the she-bear, but
also was identified with brother Apollo. Therefore in some cases her body
represented as high and light in sculptures, but however a low and massive image
of the she-bear or goddesses-mothers is authentic, as Artemis is personification
of the moon and Apollo is personification of the sun.
It is possible to tell that Artemis possesses dual image that corresponds with
the number two in numerology.
Pythagorean numerological number nine means a person whose psychological
features are caused by short growth and normal weight of a body. Such person can
be compared to Aphrodite in the Greek mythology.
Aphrodite is a goddess of love and beauty. Her body is the most nice and is
attractive for all gods that differs from the image of Athena whose proportional
beauty bewitches but frightens and inspires feeling of own imperfection.
Aphrodite is especially attractive for Ares as both possess normal weight of
bodies, but high growth of Ares in the combination to normal weight seems
haughty and it is not pleasant to other gods, and short growth of Aphrodite is
not extolled above other gods that causes sympathy. Harmony is born from union
of Ares with Aphrodite.
Pythagorean numerological number four means a person whose psychological
features are caused by short growth and light weight of a body. Such person can
be compare with Hera in the Greek mythology.
Hera is the spouse Zeus.
Her short growth and ligt body are compensated by high growth and massive weight
of Zeus and as a result Hera is very significant goddess among Olympic gods.
Zeus had a prediction that his authority will be overthrown by own children, and
consequently Hera possesses a priority among other wives as her morphological
type of a body does not allow to give birth to a child with weight and growth
which are sufficient for overthrow of Zeus.
The additional information on ancient Greek mythology and ratio of numbers in
numerology with mythological images of gods look on pages of other website:
www.numeralgame.64g.ru/num1en.htm
Besides it is necessary to consider somatic types of bodies, namely it is
necessary to correlate bodies of gods to somatic types Yin and Yang, that is
shown in the table:
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To each number in numerology there correspond
mythological gods who are comparable to types Yin and Yang. Number 6. Zeus is Yang and Poseidon is Yin. Number 1. Ares is Yang and Eris is Yin. Number 8. Apollo is Yang and Dionysus is Yin. Number 7. Prometheus is Yang and Hephaestus is Yin. Number 5. Athena unites both of somatic type. Or Athena corresponds with type Yang, and with type of a body Yin there corresponds Harmony who is daughter of Ares and Aphrodite. Number 3. Hermes Propillar is Yang and Hermes Trismegistus is Yin. Number 2. Artemis is Yang and Hecate is Yin. Number 9. Aphrodite Dione is Yang and Aphrodite Urania is Yin. Number 4. Hera is Yang and Leto is Yin. |
On pages of other website www.numeralgame.64g.ru/annum/annum1en.htm look the detailed information on gods of the Greek mythology and numbers in numerology, and also look the information on ratio of numbers and gods with psychological types of a human person in a context of analytical psychology of C.G.Yung. And accordingly look the information according to which it is possible to correlate morphological and somatic types of human bodies to psychological types of analytical psychology, and in essence it is possible to identify belonging of people to those or other psychological types by means of morphological analyses.
The given information has enough for analyses of forms of human bodies and
for description of psychological properties of a human person, and also for
analyses of mutual relations of people. Ratio of body forms with global world
categories of space, time, matter, energy, and also comparison of human bodies
with mythological images of gods allows to do set of conclusions about human
nature.
The offered system of human constitutions allows to analyze morphological and
somatic types according to parameters and sizes of a body as a whole, and types
of body builds according to sizes of separate levels of a body, that allows to
consider complex ratio according to which psychological properties are displayed
in forms of human bodies. But the offered system is not universal as other
number of formal levels can be allocated in a human body, and more detailed
systems can be accordingly used. But however it is enough to consider 9
morphological types and 2 somatic types, and also enough to consider 4 levels in
frontal projections and 6 levels of a body in lateral projections that allows to
identify 16 and 64 types of builds, and allows to correlate forms
of a body to symbols of the canon of changes i-jing and numerological numbers
which are convenient mathematical model.