poses and canon i-jing

central page of body positions


Page 1.

positions of a human body
human poses are systematized
pentagrams of the body canon
six levels of poses
methods to predict behavior
information on visual identification
Greek gods as visual examples
human body and nine numbers

 

types of builds and changes of emotions

 

The first page shows four basic or base poses which are systematized by means of digrams of the canon of changes i-jing, namely according to positions of the trunk and thigh which are the basic levels of a human body.

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Positions of a human body.
Four basic poses and digrams of the canon i-jing.
Types of builds and changes of emotions.

The human body has forms which express psychological features of a person, or it is possible to tell that symbols of a person are displayed in forms of a body, namely shoulders or abdomen or other forms symbolize psychological properties of which set there is a person. These properties are identical to all people as shoulders symbolize force or abdomen symbolizes the attitude to a life, but each person possesses own individual parameters of a body and consequently psychological properties are shown in characters of people differently.
Constant forms of a body are types of builds and types of constitutions according to which it is possible to speak about psychological properties, but constant forms can change positions as a result of movements, namely abdomen can be relaxed or strained, or other forms can deviate usual parameters and as a result the body symbolizes various psychological properties that is perceived as display of various emotions. Namely as a result of the changed positions there are poses of human bodies which differ from usual body parameters that determine emotions.
In essence there is a distinction of impressions which are caused by perception of constant forms in body types, and impressions caused by perception of the changed positions. As type of builds causes impressions which allow to judge constant properties of a person, but poses are caused by mobility of a body and cause impressions which allow to judge changes of emotions.
Changes of body positions are most significant in lateral projections at a sight in profile, and changes are less significant in face-to-face projections. Therefore only lateral projections are accepted in attention at the analysis of changeable positions, and face-to-face projections are not considered.
About positions of human bodies in direct projections it is told on 8th page of this website section, and types of builds and types of constitutions are presented in other section: constitutions of a body.

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Positions of a body most noticeably express emotions in lateral projections as visible deviations of body levels from a vertical are connected with mobility of a backbone (spine column) which is more mobile in a lateral plane and is less mobile in a face-to-face plane. The degree of inclination and curve of a backbone depends on exertion of muscles in various body levels which change positions in space, and accordingly human bodies take different positions which symbolize emotional conditions. Namely the backbone signals about changes of emotional conditions similarly to a tail of a cat provided that the tail is absent at men or women.
It is possible to tell that positions of a body are signs or gestures which are used for expression of emotions, and can be accessible to perception and understanding. But to name poses of a body by means of the term gestures not absolutely correctly as it is standard that gesticulation concerns to movements of hands, but however movements of a body too are an original sign language which is capable to express intentions and desires, and many other nonverbal displays of a human person.
Movements and positions of a body can be systematized by means of symbols of the canon of changes i-jing, that is shown on the scheme:

poses of a body are systematized by symbols of the canon i-jing Four basic positions of a human body correspond to digrams i-jing if to consider top level of a body (back and breast) which refers to trunk, and bottom level of a body (buttocks and forward muscles of legs) which refers to thigh.
Top lines in digrams correspond with the trunk, and bottom lines correspond with the thigh. If a line is entire then corresponding level of a body is deflected back, and if a line is break then corresponding level of a body is deflected forward.
Dark contours on the scheme show a body figure, and white contours are marks, namely designate deviations of body levels from vertical. If white contour is visible behind then figure is deflected forward, and if white contour is visible in front then body figure is deflected back.
Forward and rear surfaces of a body are interfaced, namely if buttocks are deflected back then legs are deflected back, and if the back is deflected forward then breast is deflected forward as these parts of a body are at one level.
Positions of head and waist are not considered at ordering poses of a body by means of digrams i-jing, namely the head is motionless concerning the trunk, and the waist is motionless concerning the thigh in the shown figures.
Total digrams of the canon of changes i-jing systematize four basic positions of a body or otherwise to tell four basic poses which are caused by positions of the trunk and thigh.

The shown poses have emotional values similar to psychological properties which are connected with types of builds. Namely changing positions of human bodies and constant types of builds cause identical associations, but however difference consists that people can have any types of builds which remains constant, and body positions can express various emotional conditions which differ from psychological values connected with parameters of builds.
The first basic pose of a body.
The trunk and thigh are deflected forward from vertical.
The trunk symbolizes thinking if to consider psychological values connected with constant parameters of body types, namely the expressed breast means purposeful thinking and the expressed back means sad thinking. Accordingly, if the trunk deviates forward then pose symbolizes purposeful aspirations and intentions in emotions, and if the trunk deviates back then pose symbolizes the constrained aspirations.
The thigh symbolizes vital forces if to consider psychological values connected with types of body builds, namely the expressed muscles of legs mean an expenditure of vital forces, and the expressed buttocks mean preservation of vital forces. Accordingly, if thigh deviates forward then pose symbolizes emotional displays according to which the person shows vital forces, that is shows activity. And if thigh deviates back then pose symbolizes emotional displays according to which the person conceals vital forces, that is shows passivity.
As the trunk and thigh are deflected forward in the first position of a body then pose symbolizes purposeful aspirations and activity. It is possible to tell that the first position of a body is vital, namely means active "life position".
The second basic pose of a body.
The trunk is deflected back and the thigh is deflected forward.
The person shows activity that is possible to see as the thigh is deflected forward, but aspirations of the person are constrained that is possible to see as the trunk is deflected back.
Deviations of the trunk back or forward are equally peculiar for men and women as the purposeful or constrained attitude to a life can be peculiar for men and for women, but it is possible to assume that deviations of the trunk forward are less obvious at women rather than at men, because women protect a breast (bust) and instinctively deflect the trunk back and by that constrain display of emotions.
The bottom level of a body deviates a vertical unequally at men and women. The deviation of thigh back is peculiar to women, that shows feature of female emotions according to which women conceal vital force, and in essence sexual energy as the thigh directly corresponds with sexual sphere of a person. The deviation of thigh forward is peculiar to men, that shows feature of male emotions according to which men show energy.
The third basic pose of a body.
The trunk is deflected forward and the thigh is deflected back.
The person shows purposefulness that is possible to see in deviation of the trunk forward, but does not show activity that is possible to see in deviation of the thigh back.
It is possible to speak that the person shows emotions if poses are realized, and if poses are mechanical (not realized) then it is necessary to speak about spontaneous and uncontrollable displays of emotions.
Deviations of body levels forward seem realized and deviations back seem not realized, as deviations forward more intense rather than back.
The fourth basic pose of a body.
The trunk and thigh are deflected back from vertical.
The person expresses the constrained aspirations and does not show activity that is possible to see in deviations back.
The fourth pose of a body can be named receding, unlike the first pose which can be named coming.
It is conditionally possible to speak that the first pose is peculiar to extroverts, and the fourth pose is peculiar to introverts. And also it is possible conditionally to compare four basic positions of a body to types of temperament:
- the first position corresponds to choleric temperament;
- the second position corresponds to melancholic temperament;
- the third position corresponds to sanguine temperament;
- the fourth position corresponds to phlegmatic temperament.

The following page considers poses in which positions not only trunk and thigh are considered, but also positions of the middle level of a body (abdomen and waist).

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