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The ninth page correlates levels of a human body to nine numbers of Pythagorean numerology that allows to describe poses of a body according to parities of numbers with mythological images of gods of the Ancient Greece. |
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There are nine numerological numbers which form the magic square, namely magic properties of the square consist in identical sums of numbers on horizontal and vertical and diagonal rows which pass through the center of the square. Forms of a human body are comparable to numbers of the magic square that is shown on the scheme:
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In the shown formal scheme of a human body: - row of numbers 6, 5, 4 makes the sum 15, and forms parities of number 6 with the neck and number 4 with knees; - row of numbers 2, 5, 8 makes the sum 15, and forms parities of number 8 with the abdomen and number 2 with the waist; - row of numbers 7, 5, 3 makes the sum 15, and forms parities of number 7 with the back and number 3 with forward muscles of legs; - row of numbers 1, 5, 9 makes the sum 15, and forms parities of number 1 with the breast and number 9 with buttocks. Numerological number 5 is in the center of the magic square and corresponds with the balance point of of a body. The crown of a head corresponds with number 10 in numerology. In a context of Pythagorean numerology there are nine numbers, but number 10 is derivative of number 5, namely it is possible to correlate number 5 not only to a point of balance but also with the crown of a head in the shown formal scheme of a human body. Pay attention that numbers of Pythagorean numerology differ from numbers of the Chinese numerology. The detailed information on Pythagorean numerology look on pages of other website: www.numeralgame.64g.ru. |
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Crown of a head and numerological numbers 5 and 10.
If the crown of a head deviates back then presence of own opinion is shown, and
if bends forward then consent with another's opinion is shown, that is
characteristic for number 5 and Athena who in the Greek mythology is the goddess
of wisdom that assumes not only presence of own opinion but also the wise
consent with another's opinion. And also it is characteristic for Sofia who has
a name "divine knowledge" that is an epithet of Athena in the Greek mythology.
Besides the crown of a head is not connected with a backbone and possesses
opportunities of independent movements, that too corresponds with
characteristics of Athena who is the independent goddess among Olympic gods of
the Ancient Greece.
Neck (chin) and numerological number 6.
If the neck deviates back then denying of another's opinion is shown that is
characteristic for number 6 and god Poseidon, and if the neck deviates forward
then attention to another's opinion is shown that is characteristic for number 6
and god Zeus.
Zeus and Poseidon are the Supreme Olympic gods of the Greek mythology, but Zeus
reigns in air and Poseidon reigns in water that defines different
characteristics of two gods and defines complex value of number 6 in numerology.
Poseidon is capricious and rough that is comparable to qualities of water
elements, and Zeus is a keeper of the world order and quiet coexistence of
people that assumes attention to another's opinion (attention to people) and is
comparable with qualities of air elements.
It is necessary to mean that Zeus can be rough and similar to a strong wind, and
Poseidon can be quiet and similar to not indignant surface of a sea.
The trunk (back and breast) and numerological numbers 7 and 1.
If the trunk deviates forward then vigorous aspirations or otherwise to tell
powers of the person are shown that is characteristic for number 1 and gods Ares
and Epimetheus. If the trunk deviates back
then aspirations do not possess vigor or otherwise to tell lack of powers is
shown that is characteristic for number 7 and gods Hephaestus and Prometheus.
Ares and Hephaestus are brothers in the Greek mythology. Ares is an aggressive
god of war and consequently possesses vigorous aspirations, and Hephaestus is a
god of forge skill and consequently concentrates energy which is necessary for a
work.
Ares proves own powers and is the most beautiful among Olympic gods of the Greek
mythology and consequently it is characterized by a deviation of the trunk
forward, and Hephaestus is the lame and ugliest god that specifies on lack of
powers and corresponds with a deviation of the trunk back.
Prometheus and Epimetheus too are brothers. The name of
Prometheus means "conceiving before" that corresponds with a deviation of the
trunk back, and the name of Epimetheus means "conceiving after" that
corresponds with a deviation of the trunk forward. Namely Epimetheus makes acts and then realizes
consequences, and Prometheus thinks of consequences and then makes acts.
Prometheus is chained to a rock that specifies on compelled lack of powers at
this god and corresponds with a deviation of the trunk back.
Middle level of a body (abdomen and waist) and numerological numbers 8 and 2.
The abdomen and waist are considered at analyses of body builds on the middle
level of a body, and consequently two numbers matter at comparison of body
levels with numbers in numerology, namely number 8 corresponds with the abdomen
and number 2 corresponds with the waist. Only the abdomen is considered at
analyses of poses, but however it is necessary to consider two numerological
numbers. As if the abdomen deviates forward then the waist too conditionally
deviates forward, and if the abdomen deviates back then the waist too
conditionally deviates back, though the waist is motionless as corresponds with
a point of body balance.
The waist is motionless if the person stay and a point of balance is near to
the waist, but mobile deviations of the waist from a vertical of balance can be
seen if the person sits and a point of balance is displaced to buttocks.
If the abdomen deviates forward then unconstrained vital displays are expressed
that is characteristic for number 8 and gods
Dionysus and Apollo. If the abdomen
deviates back then constrained vital displays are expressed that is
characteristic for number 2 and goddesses Hecate and Artemis.
Dionysus is the god of winemaking and
intoxication that corresponds to unconstrained vital displays and a deviation of
the abdomen forward.
Hecate is the goddess of sorcery and love magic according to which
Hecate rules over attractions
(inclinations) of people, but itself she is not subject to influence of
attractions that corresponds to the constrained vital displays and a deviation
of the abdomen back.
Artemis is the goddess of a wild nature and Artemis rules over instincts of
animals, but itself she is not subject to influence of instincts that
corresponds to the constrained vital displays and a deviation of the abdomen
back.
Apollo is the god of creative inspiration and likening to a wild instincts that
corresponds to unconstrained vital displays and a deviation of the abdomen
forward.
Apollo and Artemis are the brother and the sister in the Greek mythology.
If to consider parameters of body builds and to consider the waist then Apollo
and Dionysus have unexpressed (slender) waist
which symbolizes a susceptibility as Apollo and Dionysus are involved in world, but
Hecate and Artemis have the expressed waist which symbolizes immunity as
Hecate and Artemis are not subject to
external influences and have a distance from the world.
Artemis was identified with a she-bear and personified natural force in the
Greek mythology, but more often Artemis was identified with brother Apollo and
consequently some sculptural images of Artemis are similar to Apollo or are
similar to muses who are Apollo's satellites.
Thigh (buttocks and forward muscles of legs) and numerological numbers 9 and
3.
If the thigh deviates forward then predisposition to actions is shown that is
characteristic for number 3 and god Hermes. If the thigh deviates back then
absence of predisposition to actions is shown that is characteristic for number
9 and the goddess Aphrodite.
Hermes is a messenger or the envoy of gods and consequently he possesses
activity and readiness for execution of envoy functions that corresponds with a
deviation the thigh forward.
Aphrodite is a goddess of love and beauty that corresponds with a deviation the
thigh back as such position is attractive in poses of female bodies, though such
position shows not attractive sensual preferences. It is possible to tell that
the Aphrodite is passive and does not show sensual preferences in relation to
other gods, but her beauty becomes the reason for activity of gods, namely gods
aspire to mutual relations with Aphrodite.
Aphrodite is wife of Hephaestus as this pair of gods corresponds with deviations
of the trunk and the thigh back. And also the Aphrodite is beloved of Ares who
corresponds with a deviation of the trunk forward that seems attractive in poses
of man's bodies, and the Aphrodite corresponds with a deviation the thigh back
that seems attractive in poses of female bodies.
Hermes is friend of Ares as these gods correspond with deviations of the trunk
and the thigh forward. And also Hermes is comrade of Hephaestus who corresponds
with a deviation of the trunk back that symbolizes lack of powers, and Hermes
corresponds with a deviation of the thigh forward that symbolizes activity which
compensates lack of powers at Hephaestus.
Knees and numerological number 4.
If knees deviate forward then readiness for actions or vigilance is shown that
is characteristic for number 4 and goddess Hera. If knees deviate back then
unavailability to actions or absence of vigilance is shown that is
characteristic for number 4 and the goddess Leto.
Hera and Leto are wives of Zeus, but Hera is the lawful spouse and Leto is the
illegal beloved.
Hera is mother of Ares and Hephaestus, and Leto is mother of Apollo and Artemis.
Namely the deviation of knees forward is connected with possible movements of
the trunk, and the deviation of knees forward is connected with possible
movements of abdomen and waist that corresponds with physical anatomy of a human
body. Namely if knees deviate back then abdomen and waist deviate forward that
specifies the special relation of Leto to son Apollo. And if knees deviate
forward then the trunk deviates back that specifies special mutual relations of
Hera and Hephaestus, and in particular Hera shows anger in relation to
Hephaestus that is the reason of lack in powers of this god.
Hera is a disturbing goddess who aspires to supervise events that corresponds
with a deviation of knees forward, and Leto does not supervise event but hopes
to the aid of Apollo that corresponds with a deviation of knees back.
More detailed information on mythological gods of the Ancient Greece look
directly in myths or in modern books about myths of the Ancient Greece.
Characteristics of gods allow to understand emotional conditions which are
displayed in poses of human bodies.
Information on nine pages of this website section are enough for using images and texts in galleries, and for analyses various poses of a human body.
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