Gallery of erotica and geometrical laws of harmony.

fine arts of erotic gallery

resource A void perception
resource B human civilization
resource C invisible validity
resource D combinations of paints
resource E modern art
resource F actions of artists
resource G painting
resource H graphic representations

Resource I.

resource J wonderful sculptures
resource K lines and paints
resource L casual art creativity

laws of harmony predetermine perception of erotica

Erotic gallery of labyrinths.
Geometrical laws of harmony.

 

The human civilization possesses void perception of the world as a man cannot realize the invisible validity which surrounds people.
Therefore human knowledge are void, and also erotic art is void as corresponds with conditional and subjective understanding of world around and laws of harmony which predetermine perception of erotica.

People do not see geometrical structures according to which the world is arranged and consequently visible harmony seems casual and inexplicable.
The modern art and including erotic art are comparable to a level of human perception and consequently casual lines in graphic representations or casual combinations of paints in painting seem beautiful. But erotic beauty does not grow out accidents, and does not grow out casual actions of artists as submits to laws of harmony and has a mathematical substantiation.
modern erotic art are comparable to a level of human perception

Laws of erotic harmony.

artists can coordinate lines of erotic drawings with laws of harmony

Erotic ratio of lines.

Artists can find casual ratio of lines and paints, and can coordinate lines of erotic drawings with laws of harmony casually, but in essence casual art creativity is void as casual actions of artists correspond with doubtful representations about world around, and casual art with the big share of probability can break laws of harmony.

In world around there are natural and obvious geometrical ratio in which measures of harmony are shown.
Spiral forms of sea shells or forms of various plants, and also many other forms of world around can be considered as the perfect curves (templates), and it is possible to commensurate proportions of art and erotic images with natural forms of the nature.
ratio in proportions of art and erotic images with natural forms

Mathematical ratio of erotic labyrinth.

bodies of people and exact parameters of absolute harmony

Lines of erotic drawing.

A human body is an absolute measure of the world, namely according to forms of a body it is possible to measure forms of surrounding space and to define proportions of objects existing in the world. But it is necessary to consider that each human body is connected with individuality and consequently bodies of people do not correspond with exact parameters of absolute harmony, but show displays of individual parameters that in some cases is distortion of ideal proportions.
And also artists can see and perceive the deformed forms, and can create the deformed erotic pictures. But if an artist realizes ideal forms and absolute proportions of human bodies then can distinguish the world, and can understand laws of erotica and harmony according to which the world is created.
Above entrance in the temple of The Delphic Oracle it was written that a man should learn itself to learn the world.
In essence universal words have been written above entrance in the Delphic temple. Owing to these words people have created wonderful Greek sculptures which grow out comprehension of ideal proportions and perfect erotic harmony of the world.
ideal proportions and perfect erotic harmony of the world

Erotica of art image.

modern world measure erotic beauty of a body in the unified sizes

Erotic beauty of a body.

The modern world measure erotic beauty of a body in the unified sizes, but the valid beauty is absolute and cannot be connected with the unified ideas and individual sights of people on erotica.
Therefore it is very difficult to see valid erotic beauty or otherwise to tell eternal beauty of a body in products of the modern art.

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